"And the Cities Rise Like Dreams" Premiered in Nevada

This past weekend, the University of Nevada Concert Choir, Chamber Chorale, and Wind Ensemble premiered “And the Cities Rise Like Dreams,” a new 14-minute work commissioned to celebrate the university’s 150th anniversary.

I was able to be on campus for several days leading up to the premiere, and visited several rehearsals and provided feedback. It was a stunning performance in front of a packed concert hall, and I’m grateful to all those who helped bring the music to life! The day after the performance, we went into the studio and recorded the piece (the recording will be released this fall).

I was also able to work with the Nevada Concert Winds as they prepared for a concert of their own a couple of days prior to the premiere. They graciously included two works of mine on their program: Into the Silent Land and American Nocturne.

It was a fantastic visit!

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Just Finished! "Ancient Light" for the 2024 Oregon All-State Band

This week I finished “Ancient Light,” a new grade 4.5 piece commissioned by a consortium organized by the Oregon Band Directors Association. The piece will be premiered in January 2024 by the Oregon All-State Band, conducted by Jamie Nix.

The piece is inspired by the stunning photographs of deep space taken by the new James Webb Space Telescope. The Webb Telescope has the astounding ability to take photos of space as it appeared millions of years ago. Light that is truly ancient (hence the title of the piece) travels through space for millions of years to reach the Webb Telescope and it’s camera.

Musically, I tried to capture the speed and excitement of that light, and also the mysterious nature of deep space. I can’t wait to get the music in the hands of these outstanding young musicians! Preview the score and midi recording here.

"Elegy for the End of Nature" 🌎 Want to be a Project Partner?

During the past few months, I've been busily composing a 3-movement work for string orchestra and percussion on the topic of climate change, titled Elegy for the End of Nature.

I'm currently looking for Project Partners who are interested in co-premiering the piece. There is no commission fee - just the commitment to purchase the sheet music (at a discount) and perform the work. The music is grade 4, and several youth orchestras, colleges, and community orchestras have already signed on to the project.

I drew some inspiration from Vivaldi's concept for The Four Seasons, namely the idea of including a poem to accompany each part of the work. The poems included in Elegy for the End of Nature reflect on a particular aspect of climate change and continue the story told in Vivaldi's poem for Summer from The Four Seasons. If you are interested in reading more about the project and the music, click here.

A portion of all sales from Elegy for the End of Nature will be donated to advance climate technologies and policies. It's one small way that you and I can both do something to address this ever-growing crisis.

GREEN DIAMOND, the sequel to MAGNOLIA STAR, now available!

Green Diamond is a brand new 6 minute, grade 4.5/5 piece for wind band that is inspired by the blues scale and the American Railroad.

In my middle school jazz band, my director started every rehearsal with a blues scale exercise, which has stuck with me to this day. In 2012, I had the idea to write a concert band piece based on the blues scale, and Magnolia Star was born.

Last year, I began envisioning a sequel – a piece that builds on Magnolia Star, uses new harmonic and melodic material, and includes a few other surprises, like an off-stage alto sax soloist.

It’s a fast and fun ride that incorporates the blues scale, the minor/major chord, and even the Dies Irae! 

Check out this trailer for a behind-the-scenes look at Green Diamond:

Green Diamond is the second piece in the Magnolia Star Trilogy, a group of pieces inspired by the blues scale and the American railroad. Magnolia Star, the first in the series, was written in 2012.

Green Diamond uses the blues scale as a key influence, but it also includes a new element: the minor/major chord (C-Eb-G-B-D). These two sound worlds (the blues scale and the minor/major chord) generate harmonic and melodic material that alternate, combine, and compete throughout the piece.

Like Magnolia Star, the influence of the American railroad provides inspiration for sounds that are fast, driving, and energetic. Green Diamond also features an off-stage alto saxophonist who provides somewhat distant, jazzy reminders of the blues scale, offering an answer to Green Diamond’s preoccupation with the minor/major chord.

Green Diamond, like Magnolia Star, was the name of a train that ran in the early 20th century as part of the Illinois Central Railroad.

Sketches of "Vermont State Fair"

I am in the midst of composing a new work for band (and probably an orchestral version, as well) called Vermont State Fair.  I wrote about the inspiration behind the piece back in April here.  This picture shows a few of my "sketches" (that's a fancy way of saying "my notes and ideas"). At this stage, I am trying to come up with a several different motives that I can use and develop throughout the piece.  Because the setting is a noisy and exciting fair (think people, rides, games, and horse racing), I anticipate moving between different melodies, motives, and sections frequently to give the piece a bombastic and fun feeling and give a sense of the exciting atmosphere.  I have about ten motives/ideas/melodies so far and I hope to develop several more.  I have also started planning out the progression of music - what order these things will happen in - and working on some orchestration in Finale.

This is a fun piece to write - a range of different kinds of music, but all fun and exciting.  Stay tuned!

Sneak Peek: "Winter Song" for Flute and String Orchestra

Yes, it is Spring, and yes I am working on a piece called “Winter Song.” But, I live in Rochester, NY, so it is basically Winter all year long here – cut me some slack. This new piece is for my good friend Chung Park, Director of Orchestral Studies at Appalachian State University. It is written for flute and string orchestra that uses material from a piece I wrote a few years ago for flute and marimba. I liked much of the material I originally wrote, but recently, I felt like strings would be a better fit, and decided to take the opportunity to revise and improve the ideas.

An important harmonic element in the piece is a sonority that I really enjoy – major 7th chords in various voicings. The main chord structure that helps inform the harmonic progression of the work is a series of two fifths, stacked on top of each other, separated in the middle by a half step (i.e. C, G and Ab, Eb). I use this sonority throughout and move the chord by fifths, sequentially, through all twelve keys.

Here is a rough MIDI export of the first 3 ½ minutes:

[audio http://www.stevedanyew.com/wp-content/uploads/2015/04/Winter_Song_midi.mp3]